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MEDIEVAL HYPERTEXTS

THEODORE PSALTER

GALLERY OF ILLUSTRATIONS 1

GALLERY OF ILLUSTRATIONS 2

 

 

 

 

 

 

 

 

© 2003 by Tatiana Nikolova-Houston. Please do not copy small portions without citation or large parts without permission.

 

 

GLOSSARY OF LITURGICAL TERMS

Alleluja: A hymn following the reading of the Gospel. This is the oldest and most widely used hymn in the liturgies.

Antiphons: A short refrain, between the verses of a given psalm. Each psalm consists of two antiphons, performed by two alternating choirs singing the psalm verse and that short refrain.
It also refers to a series of psalm verses with a refrain sung before the Little Entrance. Originally, antiphons were intended for singing during the procession to the church.

Kathisma: The twenty parts of the Psalter, each one subdivided by three stasis or antiphons. Palestinian monastic origin (St. Saba monastery).

Koinonikon/Communion hymn: a hymn sung by the faithful before partaking Holy Communion, taken from psalms or other Biblical books.

Kontakion: A didactic piece of poetic genre; collection of poetic strophes, each of an equal number of syllables and of the same rhythm.

Lectionary: A liturgical rearrangement of perikopes from the Gospels to follow the Church calendar.

Menologion: A multi-volume compilation of the lives of the saints, accompanied by illustrations from the saints' lives.

Prokimeinon: A responsorial verse placed before a psalm and used as a refrain between the psalm verses, preceding the reading of the Epistles and also before the readings in Vespers, Hours and other divine services. In Greek, it means "that which is placed before."

Stichos: A verse of a psalm.

Troparion: A poetic genre of worship, an extended response (antiphon) and has short metrical hymn of popular character.

Typicon: A book regulating the Liturgy of the Hours and of the Eucharist, i.e., the Divine Liturgy throughout the Church year, beginning with Easter. It prescribes the rubrics of the prayers, readings, and hymns. The oldest typicon comes from the 9-10th century, of the Great Church Hagia Sophia in Constantinople. Monastic typicons came from the St. Saba and Stoudios monasteries.

 

 

The images presented here come from the electronic facsimile of the Theodore Psalter produced by Professor Charles Barber of Notre Dame University, as published by the University of Illinois Press.

GENERAL INFORMATION: Home:: ::Medieval hypertexts:: ::Theodore Psalter:: ::Gallery 1:: ::Gallery 2

ADVANCED RESEARCH: Elements of hypertextuality in the page design:: ::Hypertextual Analysis: Psalm 7:: ::Psalm 25:: ::Psalm 32:: ::Function and categories of illustrations::::Bibliography:: ::Conclusion