"Byzantine medieval hypertexts"

 

HYPERTEXTUAL ANALYSIS: EXAMPLE 1, PSALMS 7:17-8:6


DESCRIPTION, FUNCTION, AND SIGNIFICANCE OF THE VERBAL ELEMENTS

The textual block presents the text of Psalm 7:17-8:6 and appears on folio 6 recto. The title, "PSALM OF DAVID," announces the beginning of Psalm 8, using the abbreviated name of David according to existing conventions of abbreviating sacred names, including the name of God. The title and the beginning uncial initial, each as tall as two lines of verse script, provide visual clues that mark the beginning of the Psalm for the reader/chanter. Glosses do not appear on this particular page, although the marginal illustration serves as a visual gloss, i.e., an interpretation of Psalm 8:3.
Inscriptions and lines in red ink serve as links between a portion of the text and the illustration and stand out visually from the main text. One elongated red mark, one inch long, lies under the appropriate verse, and another one, much smaller, appears at the left top corner of the image. A red inscription above the illustration states "The palm branch bearing." The inscription does not appear to relate to the Psalm text and does not resemble the title of this particular iconography "Entry to Jerusalem." Although the palm element exists in the illustration, the inscription "The palm branch bearing" might refer to a particular liturgical action performed on Palm Sunday, practiced today in the Orthodox Church. This ritual includes the priest handing over palm or willow branches to parishioners, followed by solemn procession around the temple building. As such, the inscription might have provided a visual signal for the celebrant as mnemonic link or a form of "stage direction."

RELATIONSHIP BETWEEN VISUAL AND VERBAL INFORMATION

The Psalm text, proclaiming God's sovereign majesty does not directly correspond with the illustration but is associated with early Christian iconography based on Matt. 21:16. The Psalm praises the most vulnerable and helpless in society, the nursing infants, as able to praise God, in sharp contrast to those who oppose Him. However, the marginal illustration, portraying the Entry to Jerusalem, portrays Jesus riding on a donkey, passing by a crowd standing behind a palm tree. In the background, a tower of the city wall appears with a military figure standing on the top. The illustration functions as a visual gloss, providing an interpretation of Psalm 8:3. It compares Jesus to King David as portrayed in the Gospel of Matthew (Matt.1:1), in which Jesus identifies himself as the Son of David. Jesus quotes this Psalm, Psalm 8:3 (Mat. 21:16), "Out of the mouths of babes and nursing infants, You have perfected praise, because of Your enemies; that You may silence the enemy and the avenger."

 

 

"Psalms 7:17-8:6, The Entrance to Jerusalem"

RELATIONSHIP TO OTHER SOURCES: ICONS AND LITURGY
In addition to the David allusion, the illustration also relates to the particular iconography for the Palm Sunday celebration in which Psalm 8:3 is used. Tikkanen was the first to postulate that illustrations reflect a relationship between festal iconography and liturgy (Tikkanen, 48-68). Traditionally, on a particular feast day and especially during Lent, passages from the New Testament, Old Testament prophets, and the Book of Psalms accompanied the liturgy. The artist supplied a visual clue to distinguish two uses of this illustration. According to Der Nessessian, the military figure, identified by her as the pagan god Mars, distinguished the use of Psalm 8:3 for Palm Sunday from Psalm 117:26, having a similar illustration but without Mars (Der Nessessian, 64; Culter, 20). For Palm Sunday, one of the readings comes from Zach. 9:9:
" Rejoice greatly, O daughter of Zion! Shout, daughter of Jerusalem! See, your king comes to you, righteous and having salvation, gentle and riding on a donkey, on a colt, the foal of a donkey. I will take away the chariots from Ephraim and the war-horses from sea to sea…"
This military wording, perhaps, urged the artist to include Mars. As another possible interpretation, perhaps Mars represents the upcoming tragic event on the Cross. Psalm 117:26, with its Mars-less illustration, accompanied the Great Entrance of the Divine Liturgy, performed every Sunday.

The images presented here come from the electronic facsimile of the Theodore PsalterTheodore Psalter produced by Professor Charles Barber of Notre Dame University, as published by the University of Illinois Press.